Under the great silver roof at Prospect, five thousand people make a very particular sound. The Silverdome was built in 1984 as Australia's first indoor velodrome, and forty years on it remains northern Tasmania's biggest indoor room — home courts for NBL and national netball sides over the years, and the default venue when a concert, expo, gala or school spectacular outgrows everything else in Launceston.
Big rooms punish small plans. Turbo 360 photographs and films arena-scale events with the crew, glass and preparation the scale demands.
The venue's DNA matters photographically. The timber velodrome track banks around the arena floor, which creates elevated shooting positions most flat-floor venues simply don't have — we use the banking and concourse to get clean, high angles across an expo floor or a seated gala without scissor lifts. The dome itself throws house light down from a great height, so floor-level subjects sit in a mix of cool overhead and whatever stage or booth lighting the event brings in. We meter for the mix, gel our fills to match, and your gallery comes out consistent instead of green-tinged.
For concerts and stage productions we run the standard arena discipline: pit access for the first songs, long lenses from the seating bowl with up to 3,255 seats in frame, and a roaming body on crowd energy — the shot promoters actually license. Award ceremonies and graduations get a different build: a locked wide for the full house, a tight camera on the presentation point, and a photographer catching every handshake at 200mm. We deliver name-matched presentation photos within 48 hours, which for a 400-graduate ceremony is the deliverable that matters.
Trade shows and consumer expos fill the arena floor with dozens of exhibitors, and every one of them wants proof of foot traffic. We sweep the floor in timed circuits, photograph each stand busy rather than bare, and shoot sponsor activations with signage sharp and legible for post-event reports.
Logistically the Silverdome is a photographer's friend: drive-to-door access at Oakden Road, generous parking, and room to stage gear without blocking an aisle. For multi-day expos we can supply daily same-night selects so organisers post while the show is still open.
Yes. Live streaming here runs on several cameras with vision switching and a house-audio feed — suited to graduations, sporting finals and conferences with remote audiences. The venue's scale means cable runs and camera platforms need planning, so bring us into your production meeting early.
A seated ceremony for 3,000 runs well with two. A full-floor expo plus conference sessions needs two to three plus a videographer. One shooter in a 5,000-capacity room is false economy — we'll tell you honestly what your format requires and quote accordingly.
Galas here typically build their own lightscape — uplighting, stage wash, centrepieces — inside a huge dark volume. That contrast is a gift: we expose for the warm pockets and let the dome disappear, so a room built for track cycling reads as pure black-tie.
We do — basketball, netball and track cycling all reward specialist timing and fast glass, and we cover both the on-court action and the corporate hospitality around it. Club media, sponsor decks and season launch content can come from a single night's shoot.
Booking the biggest room in the north? Brief us on your floor plan and program, and we'll build a Silverdome coverage package with a firm quote and crew plan inside two business days.
1300 207 446
hello@turbo360.com.au
Photography & video at Silverdome
Turbo 360 is an independent photography and video supplier. We are not affiliated with, endorsed by, or the operator of Silverdome; venue details are provided for event-planning context only.