Beneath the headland of Barangaroo Reserve, guests descend past a bronze spiral staircase into a hall where seventeen-metre timber "trees" rise toward skylights cut through the parkland above. The Cutaway reopened in May 2026 after a $100 million rebuild, and Sydney's event industry is still working out what to do with it. We have been studying it since the hoardings came down, because a venue this unusual rewrites the photography brief.
The scale is the first thing to solve: roughly 120 metres long and 45 wide — about 10,000 square metres of continuous floor — carved between a raw sandstone wall on one side and concrete structure on the other. Long-lens compression makes a gala of a thousand feel intimate against that sandstone; wide frames from the gallery levels show the full sweep that made organisers book the room in the first place. Both belong in the coverage. The fjcstudio redesign added thirteen timber acoustic trees, some reaching 17 metres, and they function as natural framing devices — we shoot speeches and performances through them for depth rather than treating them as obstacles.
Three skylights with 98 custom glass panels run 76 metres overhead, pouring daylight into the centre of an otherwise subterranean space. That means a daytime event at The Cutaway mixes cool natural light in the middle of the floor with warm production lighting at the edges and the deep amber of lit sandstone behind — three colour temperatures in one frame. We handle it by zoning: white balance mapped per area during setup, and key subjects positioned where one source dominates. After dark the room unifies and the lighting design takes over completely, which is when the space photographs at its most theatrical. Video crews get an extra gift — the venue runs on renewable energy with harbour-water cooling, and for sustainability-led brands we fold that story into the film.
The Cutaway is operated by ICC Sydney, with first bookings from July 2026, so precedents are still being set — bump-in patterns, rigging positions, the loading realities of a below-ground hall with limited vehicle zones and pedestrian access through Barangaroo Reserve. We treat every event here as a production recce first: walking the floor with your AV supplier, confirming power and access, then locking photographer positions. Our coverage menu suits the venue's early program — gala dinners, fashion shows, exhibitions and brand launches — with switched multi-camera filming, streaming and same-day edits delivered from a workroom we set up on the gallery level.
No — it is controlled, which is better than bright. With skylights feeding the floor by day and full production lighting by night, we get consistent, designable conditions. The venues that cause problems are the ones with mixed uncontrollable light; this hall is the opposite.
The gallery levels above the main floor, and the axis along the 120-metre length. Both show the timber trees, skylights and sandstone in a single frame. We agree rigging or standing positions with ICC Sydney's team during the production meeting.
Yes, and they should be. The walk across the headland parkland at dusk, harbour behind, is a natural opening sequence before the descent inside. We station a photographer on the approach for the first thirty minutes of arrivals.
It creates unknowns, which planning absorbs. We conduct a full site walk before your event, confirm access and positions in writing, and carry backup lighting. Being early also has an upside: your event's images won't look like anyone else's.
Be one of the first brands to own this room visually — send us your event date at The Cutaway and we'll scope coverage, crew and costs within a day.
1300 207 446
hello@turbo360.com.au
Photography & video at The Cutaway at Barangaroo
Turbo 360 is an independent photography and video supplier. We are not affiliated with, endorsed by, or the operator of The Cutaway at Barangaroo; venue details are provided for event-planning context only.